A Few
Thoughts On The Mildly Disappointing Gaga Episode Of 'Glee'
What worked in last night's Lady Gaga-inspired
episode of Glee?
Everything about Brittany, for one thing. It's not a
new observation that Heather Morris as Brittany has turned out to be one of the
show's most unexpectedly divine weapons, and she was delightful once again. They
give her a line that's nothing on the page — "You look terrible. I look
awesome." — and it emerges as genius.
It's interesting to wonder whether
there is anywhere on earth where Morris could have come into her own to this
degree, other than on Glee. She's a pretty blonde who's a marvelous dancer with
fantastically droll comic timing. Where was the place for that, before this
show?
The numbers themselves were fun: "Bad Romance," of course, as well
as the drop-ins from Kiss. Here's the whole episode, if you missed it.
Also firing successfully was the cannon of greatness that is Idina
Menzel, whose positively uncanny resemblance to Lea Michele made their
mother-daughter storyline almost inevitable, but who has also been showcased for
two straight episodes doing classic-style Broadway singing (last week from Les
Miserables, this week from Funny Girl) as well as you will ever see it done on
popular television.
But the other thing that worked well led directly
into what didn't.
I thought Chris Colfer and Cory Monteith were putting
together a very good scene in which Finn finally confronts Kurt about the fact
that his affections are not, in fact, lost on Finn, they make Finn
uncomfortable, and Kurt needs to chill out already. And he needs to chill out
not because they're both boys, but because those affections are not returned and
Kurt knows they're not returned, and because he We offer wide range of
optoelectronic products: Full series of led
lamp.bleeds emotion out of his eyeballs, he's actually coming on really
strong despite thinking he's suffering silently from afar.
It was easy
to feel for both of them; Kurt thought he was just being kind, and Finn
definitely has issues he needs to work on ("I can't live here; I'm a dude"), but
Finn felt crowded and hovered over, and he didn't feel comfortable sharing a
room with someone who couldn't stop burbling over with crushy feelings. And
while he's obviously not entirely comfortable around Kurt generally, it was
challenging to sort out how much of it was about Kurt being gay and how much was
about Kurt being romantically fixated on him to a degree that embarrassed him
(which could also happen with a girl he wasn't interested in).
But then,
very abruptly, Finn was yelling about the room and the "faggy" lamp, and he
seemed to be having a related, but less nuanced, explosion of temper. This led
to a long (probably overlong) speech from Kurt's dad, which was touching in its
vehemence, and said lots of good things about Burt's willingness to protect his
kid, which Kurt needed to hear. But all of a sudden, Finn's feelings were
dismissed, and everything he had said was pushed off on discomfort with Kurt
being, as Kurt's dad said, "different." Was that really Finn's issue? Weren't
Finn's issues partly — not wholly, but partly — Kurt's refusal to give him any
personal space and, on top of that, not wanting to have to leave his house?
(Besides, would it be THAT unusual for a high-school kid not to want to share
his bedroom with another high-school kid he doesn't know particularly well?)
Obviously, it's always a soup made up of lots of feelings, but all of a sudden,
it was very clear-cut good-guy/bad-guy stuff, with only one character who needed
to look at it from the other guy's point of view.
